excellent communication and presentation skills.Details of courses can be found at ScreenSkills - Education & training.Ī degree relevant to the area that you wish to work in, such as politics or economics, may also be helpful. broadcast, radio, television or media productionĬertain courses have been assessed by the radio and television industries and are approved by ScreenSkills, the industry skills body.However, some degree, HND and foundation degree subjects may be useful and could provide you with relevant knowledge that can be used in the job. You don't need a degree to become a broadcast presenter as employers tend to look more for experience and practical skills. Similarly, documentary-makers or roving reporters can also be expected to travel in the UK and abroad to cover stories and news events. Radio roadshows, for example, involve a significant amount of travel and you may be required to work away from home for extended periods of time. Travel during the working day varies according to the type of programme.You'll have a public image to maintain and, as a result, must be prepared for some loss of privacy.Local or regional studios are found throughout much of the UK. Other studios exist in Glasgow, Edinburgh, Leeds and Birmingham. Much of the national broadcast industry is centred in London or MediaCityUK in Salford.Most work is based in a radio or television studio, but may also include outside broadcasts, which can involve working in all conditions.Most presenters, particularly those on national radio and television, employ an agent to negotiate working terms and conditions on their behalf.For example, conditions for a presenter on a small local radio station with a show in the middle of the night will be vastly different from those for a high-profile celebrity with a prime-time television show. Working conditions vary, depending on the broadcast medium and type of programme.Hours may be long and unsocial, involving early mornings, evenings or weekends, although this depends on the timing of the programme and whether it's live or pre-recorded. Pre-show preparation, such as meetings with the producer, researching, writing scripts, rehearsing and post-show review, which includes discussing the broadcast with the producer and beginning advance planning for the next show, all add to the working day. You'll work much longer than the actual broadcast hours and work is rarely, if ever, 9am to 5pm. Most presenters work freelance and payments are normally calculated per show or on short, fixed-term contracts to deliver a certain number of programmes. Salaries vary enormously, depending on whether you're working full time for a channel/radio station or working freelance on an ad-hoc or short-term contract basis.Īdvice on current pay guidelines may be available from the Broadcasting Entertainment Cinematograph and Theatre Union (BECTU) and Equity.
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